How much money did the movie the birds make

Though she’s owned it for more than 30 years, Parton has declined to partake in any of its rides. Once the birds start pecking away at people’s eyes, I had already given up on caring about these characters. Eyeline matches and point-of-view POV shots within the film encourage audience identification with particular characters and their subjective experiences. Miles once trained a cat to use the toilet. However, his adaptation would not be a faithful retelling.

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Thomas Edison and his assistant W. Dickson filmed «flickers» between and While this made Edison a household name, the income produced by these films pales when compared with the salaries earned by modern film directors. Modern directors, however, do work more hours creating feature films compared with early directors bound by time limitations. Thomas Edison felt audiences didn’t have the patience to watch films any longer than 10 minutes. Novice directors may defer compensation in hopes of making a successful film, but experienced directors are paid according to Directors Guild of America guidelines, and the best known directors can make impressively large salaries.

Empire pays tribute to Hitch’s ornithological horror

If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a movie’s a hit? We asked the experts. If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is hard to interpret. If a movie’s number one in its opening weekend, does that mean it’s automatically a hit? Or is the percentage drop between the first and second weekends the important number?

‘The Birds,’ released in 1963, is the movie we need…

If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a movie’s a hit? We asked the experts. If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is hard to interpret. If a movie’s number one in its opening weekend, does that mean it’s automatically a hit? How much money did the movie the birds make is maje percentage drop between the first and second weekends the important number?

And so on. News outlets tend to report lots of box-office data without hiw that much context. As Phil Contrino, editor of BoxOffice. They look at the omney weekend — and instantly a movie is a success or a failure. Sometimes, a film can do well in its first weekend and then stumble in monsy weekends.

Or a film can develop «legs,» like Christopher Nolan’s Inceptionand win a few weekends in a row. Studio accounting, designed to make sure people don’t collect on back-end deals, is a marvel. So how do you know if the box-office gods have smiled enough on how much money did the movie the birds make favorite movie that studios are likely to greenlight similar films?

The short answer is, it depends on a number of factors, but a rule of thumb seems to be that the film needs to make twice its production budget globally. For the longer answer, read on. There’s a lot more, although studios are loath to give out numbers. The studios seldom release accurate production budgets — and they’re even more leery of revealing how much they spend on other stuff, like promotion.

That’s because those films are often romantic comedies or kids’ movies, which are cheap to make but still need a lot of promotion. And the numbers only go up with bigger films. Of course, the promotional expenses are different for each film — Contrino points out that Fox didn’t seem to waste much money promoting Gulliver’s Travelsonce it was clear they had a dud on their hands. So Girds didn’t lose as much money as it could. And in some cases, a studio will actually have less money at stake than the film’s production budget — sometimes, the distributor will just acquire an already-made film for a small fee, plus marketing costs, says Gitesh Pandya with BoxOfficeGuru.

In mney cases, the studio can make a profit even if the film doesn’t make back its production budget. You might have noticed that studios are pushing a lot harder lately to make a film as big a hit as possible in its opening weekend. And films tend to open on more screens right away — a typical big film will open on 4, screens, instead of the hundreds of screens it would have opened on in the s.

And it used bitds be true across the board that the opening weekend was when the biggest percentage of profits went to the studios. In the past, studios «strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio,» says David Mumpower with Box Office Prophets. Eventually, by the fourth week, the studio’s cut has fallen to around 52 percent in most cases. But after a bunch of theater chains declared bankruptcy in the early s, these frontloaded deals started to fall out of fashion, says Doug Stone with BoxOfficeAnalyst.

Nowadays, with many of the bigger Hollywood blockbusters, the theater chains just get a standard cut of the whole revenue, regardless of which weekend it comes in. The percentage of revenues that the exhibitor takes in depends on the individual contract for that film — which in turn depends on how much muscle the distributor has, according to Stone.

These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films. You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdingsshows that So as a ballpark figure, studios generally take in around percent of U. The highest profile example of a film that bombed in the U.

And a similar thing happened with the previous Narnia movie, Prince Caspian. Another big film that made way more money overseas than domestically was Terminator Salvation. So if a film does incredibly well overseas but flops in the U. As with everything else to do with box office, the answer is «it depends. According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, they’re lucky if they take in 15 percent of that number.

Domestic revenue just counts for a lot more than diid revenue, says David Mumpower with Box Office Prophets:. The reason for this is simple. Collecting revenues abroad is a trickier proposition since the dollar fluctuates against foreign currencies. There are also tariffs from these governments in place in order to keep as much money as possible from leaving their countries and going abroad, which is an understandable practice.

While the global conglomerates such as Fox, Disney and Time-Warner that run major Birrs studios can secure sweetheart deals with various local governments, it doesn’t happen for each film. As such, international box office revenue is much less reliable than in North America. But still, overseas box office does matter, more and. And stars who have a huge global following are more likely to open a movie than ones who are only famous in the U.

A shocking number of releases did better abroad than in North America, which makes sense when we consider population numbers. It’s just a relatively new phenomenon for the industry. Avatar’s performance is a great demonstration of global dix. That’s how important the global picture has become to Hollywood studios. And the studios get a much bigger cut of DVD revenues than they do of theatrical revenues, because the retailers aren’t as «significant of a middle man» as the theater owners, according to Paul Dergarabedian, president of Hollywood.

There are a lot of costs that go into running a movie theater, and showing movies is all the movie theater does — unlike most places where DVDs are sold. There are some genres of film that do especially well on DVD — like horror films, which are often cheaper to make than other genres to begin with, movir Dergarabedian. A horror movie might or might not break even at the theaters, but it’s sure to make lots more money when it hits DVD.

But actually, the trend towards studios depending on DVD sales may have peaked already — infor the first time in a decade, theatrical box office revenue was bigger than home-video revenue, says BoxOfficeAnalysts’ Stone. And this seems to be continuing into Perhaps because of piracy or the popularity of Netflix, DVD sales aren’t keeping pace with ticket sales any. Says Stone, «Studios can no longer rely on as robust an ancillary market to prop up a failure at the box office.

That’s one reason why you’re hearing so much about 3-D — those higher ticket prices are a way to plug the revenue hole from disappointing DVD sales. And studios are going to start mak premium video-on-demand services more, as another way to shore up their earnings, says Mpney. The A. Charlie Jane Anders. Filed to: Movies.

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The Birds 1963 ( FILMING LOCATION ) Alfred Hitchcock

Types of Directors

I’m an open book, I’m afraid, or rather a closed one. Mitch: No, I suppose not. Parton and her 11 siblings were raised in a small house in the mountains of Tennessee that lacked electricity and indoor plumbing. I saw you in court Her own groundbreaking career? Crime Thriller. A crash broke his nose and cost him three teeth—which led to movei purchasing a larger motorcycle. That mkvie Melanie and the Brenners seek refuge inside the family home, which is attacked by waves of birds that nearly breach the barricaded doors and windows. She interprets it as an ode to the many facets of female sexuality and, by extension, nature. The song the children are singing at the school as the crows mass outside is known as «Risseldy Rosseldy», an Americanized variation maek the Scottish folk song «Wee Cooper O’Fife». Alfred Hitchcock. It was invented by Friedrich Trautwein, and further developed by Oskar Sala into the Trautonium, which would create some of the bird sounds for this film.